虽然声音和画面都只是小样,
但这个八分多的长镜头令人叹为观止。环境、人物、叙事、细节一个都不少。
这才是卷轴式的长镜,可以说是中西结合疗效好。
在杨德昌逝世六年后,仍能用这个镜头证明,他是当今对画外空间了解与运用最牛逼的导演。

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