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两个知名导演——米歇尔冈瑞Michel Gondry、卡拉克斯Leos Carax在三段式集锦片《东京》里的表现,只不过是反衬出了奉俊昊有多么牛逼。
这部四十分钟的《Shaking Tokyo》,情节挺简单没什么多说的,但手法实在是好,好到我无话可说。
所以对《母亲》的期待又强了三分。
也证实了我的一个预感:奉俊昊的视听风格现在慢慢向朴赞郁靠拢,朴赞郁的视听风格向着“更朴赞郁”靠拢。

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